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You can't just do a day or two of camera exercises and expect to develop an artistic eye. You need to put the information you gain from those exercises to work for you, and do more exercises in the process. Bryan Peterson explained just how to do that during his 7 Photography Questions interview.

As Bryan Peterson was discussing how to "learn the language" of camera equipment, he provided us with a very interesting focal length exercise. See how duct tape, a ladder and a bit of creativity can take your photography to new levels.

Photography isn't just about picking up a camera and shooting random shots. If you really want to get into the world of this art, you have to learn the language. Bryan Peterson explains how photography is much more than just pointing and clicking a camera.

Not everybody is born with the ability to see creatively. Some of us have to learn it. Unfortunately, there's a mistake that's often made when people set out to do this. Bryan Peterson explains what that mistake is and how we can avoid it.

When photographers compose their shots, their creativity is limited to what can be captured within the photographic frame. While some people feel this is a disadvantage, Bryan Peterson explains the silver lining of the predetermined parameters.

Bryan Peterson teaches us how we can all learn to see creatively.

All photographers have a story to tell about how they got started in professional photography, Bryan's is just a little more intriguing than most. I knew our listeners would want hear his fascinating story, so I asked Bryan to share it with us.

If you want to improve the quality of your fall photos, you should do the same exercises the pros do. The question is, what exactly are those exercises? Jim Zuckerman describes them for us here.

Some photographs just take your breath away and make you want to run away into the shot, as is the case with this picture of Sudbury Mill. How did Jim Zuckerman create such a fairytale image with his camera? He explained what goes into such a shot during his 7 Photography Questions interview and what he would have done to improve on it if he could take this photo over again.

Jim Zuckerman's image of Mabry Mill is so stunning, it's hard to believe it's a photograph and not a painting. Jim explains that this image is just one of many that are possible at this fantastic location.